NEW BOOKS: Essays Fiction


In Contemporary African American Fiction: New Critical Essays, edited by Dana A. Williams, eight contributors examine trends and ideas which characterize African American fiction since 1970. They investigate many of the key inquiries which inform discussions about the condition of contemporary African American fiction. The range of queries is wide and varied. How does African American fiction represent the changing times in America and the world? How are these changes reflected in narrative strategies or in narrative content? How do contemporary fictionists engage diasporic Africanisms, or how do they renegotiate Americanism? What is the impact of cultural production, gender, sexuality, nationality, and ethnicity on this fiction? How does contemporary African American fiction reconstruct or rewrite earlier “classic” African American, American, or world literature? Authors under study include Ernest J. Gaines, Ishmael Reed, Edwidge Danticat, Octavia E. Butler, Olympia Vernon, Toni Morrison, and Reginald McKnight, among others. These essays remind us that the African American literary tradition is about survival and liberation. The tradition is similarly about probing, challenging, changing, and redirecting accepted ways of thinking to ensure the wellness and the freedom of its community cohorts. The essays identify new ways contemporary African American fiction continues the tradition’s liberatory inclinations—they interrogate the ways in which antecedent texts and traditions influence contemporary texts to create new traditions.



Cassidy Beckett reveals to her husband that as a college student she was forced to abandon her infant son by her then-boyfriend. Not only does Trevor support Cassidy after her confession, but he does some detective work on his own to help her find closure and the son she's never forgotten.

Having shut out the world in her pain of two abusive relationships and a terrible secret, Cassidy Beckett buries herself in her church ministry and meets widower and single father Trevor Monroe, with whom she shares an adversarial, then romantic relationship before learning important truths about healing.


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